Punchline is about a guy name Yuta Iridatsu who has his sprit separated from his body due to some other spirit taking his body when he was unconscious (when.

A joke is a display of humour in which words are used within a specific and well-defined narrative structure to make people laugh and is not meant to be taken seriously. It takes the form of a story, usually with dialogue, and ends in a punch line. It is in the punch line that the audience becomes aware that the story contains a second, conflicting meaning. This can be done using a pun or other word play such as irony or sarcasm, a logical incompatibility, nonsense, or other means. Linguist Robert Hetzron offers the definition:A joke is a short humorous piece of oral literature in which the funniness culminates in the final sentence, called the punchline In fact, the main condition is that the tension should reach its highest level at the very end. No continuation relieving the tension should be added.

As for its being 'oral,' it is true that jokes may appear printed, but when further transferred, there is no obligation to reproduce the text verbatim, as in the case of poetry. Contents.In a broader sense, 'punch line' can also refer to the unexpected and funny conclusion of any performance, situation or story. This section contains: vague phrasing that often accompanies or information.

Such statements should be. ( March 2018)The origin of the term is unknown. Even though the comedic formula using the classic 'set-up, premise, punch line' format was well-established in by the beginning of the 20th century, the actual term 'punch line' is first documented in the 1920s; the Merriam-Webster dictionary pegs the first use in 1921. Some people argue that the term's origin is related to the British weekly magazine. Punch; or, The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells.

Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term 'cartoon' in its modern sense as a humorous illustration.Linguistic analysisA linguistic interpretation of the mechanics of the punch line response is posited by in his. Humor is evoked when a trigger, contained in the punch line, causes the audience to abruptly shift its understanding of the story from the primary (or more obvious) interpretation to a secondary, opposing interpretation.

'The punch line is the pivot on which the joke text turns as it signals the shift between the semantic scripts necessary to interpret re-interpret the joke text.' To produce the humor in the verbal joke, the two interpretations (i.e., scripts) need to be both compatible with the joke text and opposite or incompatible with each other.

Shultz, a psychologist, independently expands Raskin's linguistic theory to include 'two stages of incongruity: perception and resolution.' He explains that ' incongruity alone is insufficient to account for the structure of humour. Within this framework, humour appreciation is conceptualized as a biphasic sequence involving first the discovery of incongruity followed by a resolution of the incongruity.' Resolution generates laughter. Victor Raskin is a distinguished professor of linguistics at Purdue University. He is the author of Semantic Mechanisms of Humor and Ontological Semantics and founding editor of Humor, the journal for the International Society for Humor Studies.

Prosodic featuresThere are many folk theories of how people deliver punchlines, such as punchlines being and at a higher than the speech preceding it, or a dramatic pause before the punchline is delivered. In laboratory settings, however, none of these changes are employed at a statistically significant level in the production of. Rather, the pitch and loudness of the punchline are comparable to those of the ending of any narrative, humorous or not.

Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as 'higher' and 'lower' in the sense associated with musical melodies. Pitch can be determined only in sounds that have a frequency that is clear and stable enough to distinguish from noise. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Jokes without a punch lineIn order to better elucidate the structure and function of the punch line it is useful to look at some joke forms which purposely remove or avoid the punch line in their narrative. Are long-winded in which the punch line is deliberately anti-climactic. The humor here lies in fooling the audience into expecting a typical joke with a punch line.

Instead they listen and listen to nothing funny, and end up themselves as the butt of the joke. Infinifactory review. Anti-humor is a type of indirect humor that involves the joke-teller delivering something which is intentionally not funny, or lacking in intrinsic meaning. The practice relies on the expectation on the part of the audience of something humorous, and when this does not happen, the irony itself is of comedic value. Anti-humor is also the basis of various types of pranks and hoaxes.Another type of anti-joke is the nonsense joke, defined as having 'a surprising or incongruous punch line' which provides either no resolution at all, or only a partial, unsatisfactory resolution. One example of this is the punch line: 'Two elephants were taking a bath. One said, 'Please pass the soap.' The other replied, 'No soap, radio.'

Here the anticipated resolution to the joke is absent and the audience becomes the butt of the joke. ' No soap radio' is a form of practical joke and an example of surreal comedy. The joke is in reality a prank whereby the punch line has no relation to the body of the joke; that is, it is actually not funny, but participants in the prank pretend otherwise. The effect is to either trick someone into laughing along as if they 'get it' or to ridicule them for not understanding. Jab linesA joke contains a single story with a single punch line at the end. In the analysis of longer humorous texts, an expanded model is needed to map the. With this in mind, the (GTVH) was expanded to include longer humorous texts together with jokes, using the GTVH narrative structure to categorize them.

A new term, 'jab line', was introduced to designate humor within the body of a text, as opposed to the punch line, which is always placed at the end. The jab line is functionally identical to the punch line except it can be positioned anywhere within the text, not just at the end. 'Jab and punch lines are semantically indistinguishable , but they differ at a narratological level.'

Additionally, 'jab lines are humorous elements fully integrated in the narrative in which they appear (i.e., they do not disrupt the flow of the narrative, because they either are indispensable to the development of the 'plot' or of the text, or they are not antagonistic to it)'.Using the expanded narrative structure of the GTVH and this new terminology of jab lines, literature and humor researchers now have a single theoretical framework with which they can analyze and map any kind of verbal humor, including novels, short stories, TV sitcoms, plays, movies as well as jokes. Three part structureFelicitous jokes are often formatted in a style called AAB, where a joke is made up of a set of three, the first two of which share some common attribute, and the third represents a deviation from that attribute.

Under these conditions, the third item in the set—the B—is the punchline.Rozin gives the following example as exemplifying this structure:A Some men are about to be executed. The guard brings the first man forward, and the executioner asks if he has any last requests. He says no, and the executioner shouts, 'Ready! Suddenly the man yells, 'Earthquake!'

Everyone is startled and looks around. In all the confusion, the first man escapes.A The guard brings the second man forward, and the executioner asks if he has any last requests. He says no, and the executioner shouts, 'Ready! Suddenly the man yells, 'Tornado!' In the confusion, the second man escapes.B By now the last man has it all figured out. The guard brings him forward, and the executioner asks if he has any last requests. He says no, and the executioner shouts, 'Ready!

And the last man yells, 'Fire!' According to this theory, the punchline is always the deviation, and it does not matter how many instances of A occur for there to be a punchline. However, jokes following the AAB structure are consistently rated as being funnier than their AB or AAAB counterparts.

Merriam-webster.com. (, p. 12–13). (, p. 312).

Pickering, Lucy; Corduas, Marcella; Eisterhold, Jodi; Seifried, Brenna; Eggleston, Alyson (November 2009). 'Prosidic Markers of Saliency in Humorous Narratives'. Discourse Processes. 46 (6): 517–540. (, p. 82–83).

see also. For an example of this type of humor text analysis, see (, p. 110). Rozin, Paul; Rozin, Alexander; Appel, Brian; Wachtel, Charles (August 2006). 'Documenting and Explaining the common AAB pattern in music and humor: Establishing and breaking expectations'.

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6 (3): 349–355.Related Research Articles. Black comedy, also known as black humor, dark comedy, dark humor or gallows humor, is a genre of fiction referring to a comic style that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues, by provoking discomfort and serious thought as well as amusement in their audience.

Popular themes of the genre include death and violence, discrimination, disease, and human sexuality. Witzelsucht is a set of pure and rare neurological symptoms characterized by a tendency to make puns, or tell inappropriate jokes or pointless stories in socially inappropriate situations. It makes one unable to read sarcasm. A less common symptom is hypersexuality, the tendency to make sexual comments at inappropriate times or situations. Patients do not understand that their behavior is abnormal, therefore are nonresponsive to others' reactions.

This disorder is most commonly seen in patients with frontal lobe damage, particularly right frontal lobe tumors or trauma. The disorder remains named in accordance with its reviewed definition by German neurologist Hermann Oppenheim; its first description as the less focused moria by German neurologist Moritz Jastrowitz, was in 1888. There are many theories of humor which attempt to explain what humor is, what social functions it serves, and what would be considered humorous. Among the prevailing types of theories that attempt to account for the existence of humor, there are psychological theories, the vast majority of which consider humor to be very healthy behavior; there are spiritual theories, which consider humor to be an inexplicable mystery, very much like a mystical experience. Although various classical theories of humor and laughter may be found, in contemporary academic literature, three theories of humor appear repeatedly: relief theory, superiority theory, and incongruity theory.

Among current humor researchers, there is no consensus about which of these three theories of humor is most viable. Proponents of each one originally claimed their theory to be capable of explaining all cases of humor.

However, they now acknowledge that although each theory generally covers its own area of focus, many instances of humor can be explained by more than one theory. Incongruity and superiority theories, for instance, seem to describe complementary mechanisms which together create humor.

In a modern sense, comedy is a genre of fiction that refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, stand-up comedy, or any other medium of entertainment. The origins of the term are found in Ancient Greece.

In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a 'Society of Youth' and a 'Society of the Old.' A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokes laughter. Cognitive humor processing refers to the neural circuitry and pathways that are involved in detecting incongruities of various situations presented in a humorous manner. Over the past decade, many studies have emerged utilizing fMRI studies to describe the neural correlates associated with how a human processes something that is considered 'funny'.

Conceptually, humor is subdivided into two elements: cognitive and affective. The cognitive element, known as humor detection, refers to understanding the joke. Usually, this is characterized by the perceiver attempting to comprehend the disparities between the punch line and prior experience. The affective element, otherwise known as humor appreciation, is involved with enjoying the joke and producing visceral, emotional responses depending on the hilarity of the joke. This ability to comprehend and appreciate humor is a vital aspect of social functioning and is a significant part of the human condition that is relevant from a very early age.

Humor comprehension develops in parallel with growing cognitive and language skills during childhood, while its content is mostly influenced by social and cultural factors. A further approach is described which refers to humor as an attitude related to strains.

Humorous responses when confronted with troubles are discussed as a skill often associated with high social competence. The concept of humor has also been shown to have therapeutic effects, improving physiological systems such as the immune and central nervous system. It also has been shown to help cope with stress and pain. In sum, humor proves to be a personal resource throughout the life span, and helps support the coping of everyday tasks. References.

Attardo, Salvatore (2008). 'A primer for the Linguistics of Humor'. In Raskin, Victor (ed.). Primer of Humor Research: Humor Research 8. Berlin, New York: Mouton de Gruyter.

101–156. Attardo, Salvatore (2001). Humorous Texts: A Semantic and Pragmatic Analysis. Berlin, New York: Mouton de Gruyter.

83. Carrell, Amy (2008). Raskin, Victor (ed.).

Berlin, New York: Mouton de Gruyter: 303–332. Cite journal requires journal=. Chlopicki, W. 'The Linguistic Analysis of Jokes'. Journal of Pragmatics. Raskin, Victor (1985). Semantic Mechanisms of Humor.

Dordrecht, Boston, Lancaster: D. Reidel. Ruch, Willibald (2008). 'Psychology of humor'. In Raskin, Victor (ed.). Primer of Humor Research: Humor Research 8. Berlin, New York: Mouton de Gruyter.

17–100. Shultz, Thomas R. 'A cognitive-developmental analysis of humour'.

Humour and Laughter: Theory, Research and Applications: 11–36.

English[edit]

Noun[edit]

punchline (pluralpunchlines)

1. Alternative spelling of punch line
   • 2020 January 22, Stuart Jeffries, “Terry Jones obituary”, in The Guardian‎^[1]:

     Arguably, without Jones, Monty Python’s Flying Circus (1969-74) would not have revolutionised British TV comedy. He was key in developing the show’s distinctively trippy, stream-of-consciousness format, where each surreal set-up (the Lumberjack Song, the upper-class twit of the year show, the dead parrot, or the fish-slapping dance) flowed into the next, unpunctuated by punchlines.

French[edit]

Etymology[edit]

From Englishpunchline.

Pronunciation[edit]

• IPA^(key): /pœ̃ʃ.lajn/

Noun[edit]

punchlinef (pluralpunchlines)

1. (hip hop) Sentence of a rap song, carrying a strong message.
2. Strong or shocking one-sentenced statement.